本文认为,何其芳《还乡杂记》有两大特征:怀旧意识与静观姿态。并指出,在《还乡杂记》中,何其芳依然活在自己狭小、细腻的内心世界里,依然没有真正做到直面现实,而这正是何其芳创作《画梦录》时的基本精神特征。因此,本质上,《还乡杂记》还是《画梦录》时期创作的延续,而不是一部过去所谓的转型期作品。 This article argues that He Qifang’s Annals of Returning Hometown has two characteristics: the nostalgia consciousness and the static attitude. He also pointed out that He Qifang still lives in his narrow and delicate inner world in “The Returning Hometown”, but he still has not really been confronted with the reality, and this is exactly the basic spiritual feature of He Qifang’s “dream painting” . Therefore, essentially, “Returning Hometown” is also a continuation of the creation during the “Dream of Dreams” period, not a so-called transformational work in the past.