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本文探讨铃木演员训练法对演员身体这一不可见的戏剧美学要素所发生的影响作用。该理论认为身体具有一种不可见的戏剧美,这种美可通过铃木训练法得以挖掘。受过此种训练的演员为表演提供清晰可感却不易辨识的美学元素。
This article explores the impact of Suzuki’s performer’s training on the invisible aesthetics of actors. The theory holds that the body has an invisible dramatic beauty that can be tapped by Suzuki’s training. The performer who has undergone such training provides aesthetically unobvious aesthetic elements for the performance.