《聊斋志异》是我国古代短篇文言小说的一座丰碑,本文尝试从以下三个方面--核心重点的转换、全知视角与限知视角的结合、叙事模式的设置来探寻《聊斋志异》在叙事艺术方面对前人的继承与发展,并得出结论,即蒲松龄在前人的基础上发展出了具有自己特色的叙事艺术,成为后人文学创作的学习对象。 Strange Stories from a Lonely Studio is a monument of the ancient short stories in ancient China. This article attempts to explore the relationship between Strange Tales from a Lonely Studio in the following three aspects: the conversion of the key points of view, the combination of the omniscient point of view and the perspective of the limited point of view, and the setting of narrative patterns Narrative art inherits and develops to predecessors and concludes that on the basis of his predecessors, Pu Songling has developed narrative art with his own characteristics and become the learning object of his literary creation.