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我一直在传统和现代这样一条狭窄的通道拥挤穿行,今天是否找到了一个出口。我想延伸杭春晓先生提到的两个字——逃离。如何逃离现代?如何逃离传统?如何逃离语言?如何逃离风格;如何逃离诗歌?如何逃离绘画?皮筋的飞越是一个绝不会触底的坠落,尽管他证明了坠落先于它的不可能性,在这个行为绑定在或夸张或隐喻修辞效果中。他到底是借助櫈子向上飞翔还是坠落;还是借助头上那盏灯向前追述还是向后演绎;还是跨越行为的表演,再从行为中捕捉到皮筋的身体。用肉身还原叙事与拷问。
I’ve been crowded through a narrow passage like the traditional and the modern, and I found an exit today. I want to extend the word mentioned by Mr. Hang Chunxiao - to flee. How to Escape from the Modern? How to Get Rid of the Tradition? How to Escape the Language? How to Escape the Style; How to Escape from Poetry? How to Get Rid of the Painting? Flying over the rubber band is a never-ending fall. Although he proved the impossibility of falling before it, Bind this behavior in or out of rhetorical or metaphorical rhetoric. Whether he is flying up or down with a stool, or whether he is going forward or backward with the lamp on his head, a performance-like performance that captures the body of a rubber band from his behavior. Use the flesh to restore the narrative and torture.