早在20世纪60年代中期,西方艺术界就已出现“泛雕塑”的现象。不过,在当时,“泛雕塑”也只是一种表象,真正的问题是现代主义雕塑遭遇到了前所未有的内在危机,同时还需要回应装置艺术对它的冲击。实际上,进入20世纪之后,西方现代艺术的两条发展线索所形成的合力在上世纪60年代曾掀起了现代主义雕塑“去雕塑化”的浪潮。以罗丹为起点, As early as the mid-1960s, Western art circles had already seen the phenomenon of “pan-sculpture.” However, at that time, “pan sculpture” was only an appearance. The real problem was that sculpture of modernism encountered an unprecedented internal crisis. At the same time, it needed to respond to the impact of installation art. In fact, after the 20th century, the resultant force of the two development clues of Western modern art set off a wave of modernist sculpture “going to sculpture” in the 1960s. To Rodin as a starting point,