在本世纪音乐中,我仍然很喜爱韦伯恩两个时期的作品,即后期的器乐曲和自最初的十二首作品至《三重唱》之间的一段时间的歌曲。这两个时期的作品都去掉了早期作品的那种矫揉造作的毛病,它们也许是韦伯恩作品中最有光彩的音乐……韦伯恩对我来说意味着音乐上的正义,我毫不犹豫地置身于他那尚未成为正宗艺术的“缪斯”的仁慈荫庇之下。——斯特拉文斯基安东·韦伯恩 In this century’s music, I still love the works of Webern two periods, the instrumental music of the late period and the songs from the first twelve works to the period of “Trio”. The works of both periods have removed the pretentiousness of the earlier works, perhaps the most brilliant of the works of Webern. ... Webern meant to me musical justice, and I did not hesitate Under the shadow of his “muse” who has yet to become authentic art. - Stravinsky Anton Webern