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根据流潋紫同名小说改编的大型宫廷电视剧《后宫·甄嬛传》一经播出便大受欢迎,曾一度被翻拍成英文电视剧传到了国外。该剧的流行之甚与原小说的结构人物情节等描写分不开。尤其是其中情景与意境的描写,让人如临其境。接受美学代表人之一伊瑟尔在创立该理论之初提出“本文的召唤结构”。本文就基于此理论来分析一下《甄嬛传》中意象意境层面存在的召唤结构。
A large court TV series “Harem Zhen Huan Chuan”, adapted from the same name by Liu Zi Zi, was popular as soon as it was broadcast. It was once translated into an English TV series and spread abroad. The popularity of the drama is inseparable from the description of the structure of the original novels and other characters. Especially the description of the scene and the mood, people immersive. Isel, one of the accepted aesthetics representatives, put forward “The Calling Structure of This Essay” at the beginning of establishing this theory. Based on this theory, this article analyzes the summoning structure existing in the artistic conception of “Zhen Huan Chuan”.