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20世纪初期,徐悲鸿将西方绘画的方式带入中国,主张传统中国画的改良。当时的意义,是为了改变当时国画之颓废,为中国现代美术教育做出巨大贡献,也是将西方的艺术手法融入中国绘画之中。这种“西为中用”的初衷是一种建立在尊重传统的基础之上的升华与丰富,展现了良好的意愿。伴随着经济现代化的进程,国产的艺术教育也逐渐与国
In the early 20th century, Xu Beihong brought western painting to China, advocating the improvement of traditional Chinese painting. The significance at that time was to change the decadence of Chinese painting at that time, to make a great contribution to the education of modern Chinese art, and to integrate western artistic techniques into Chinese painting. The original intention of this “West for Middle use” was a manifestation of good intentions based on the sublimation and enrichment built on respect for tradition. Accompanied by the process of economic modernization, domestic art education is also gradually with the country