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第七季水仙·终极审美丁酉孟春如果说在中国文人的心灵深处存在着某种终极审美,这种花,可能不在梅兰竹菊之列,而很可能就是水仙。这种审美在当年曹植写《洛神赋》时就已经种下了。那是一种不需要语言的相遇。天生丽质、冰肌玉骨、身姿婷婷、清新脱俗、香远益清,一泓清水,几块白石,就在案头悄然开放,仿佛知音一般,伴着主人在冬日里迎接新春的来临。
The Seventh Season Narcissus · The Ultimate Aesthetic Ding Nai Meng Chun If there is some kind of ultimate aesthetic feeling in the minds of Chinese literati, this flower may not be listed in Merlin’s bamboo chrysanthemum, but most likely it is narcissus. This kind of aesthetics had already been planted when Cao Zhi wrote “Luo Shen Fu” in that year. That’s an encounter that does not require a language. Natural beauty, Bingji Yu bone, posture Tingting, fresh and refined, Hong Yuan Yi Qing, a clear water, a few pieces of Whitehead, quietly open the case, as if the companion, accompanied by the host in the winter to greet the advent of the New Year.