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《圣经》是基督教文化的象征,是西方主流文化的重要组成部分,对美国黑人文学产生过很大影响。从理查德.赖特到托妮.莫里森,许多黑人作家都援用《圣经》中的典故来隐喻美国黑人的地位和身份,从不同的侧面反映主流文化和边缘文化的关系。文章运用互文性理论阐释《所罗门之歌》与《圣经》在人物上的文化互文性,旨在凸显莫里森的互文策略——戏仿中颠覆,颠覆中重构,展现黑人传统文化独特的艺术魅力。
The Bible is a symbol of Christian culture and an important part of Western mainstream culture. It has had a significant impact on Afro-American literature. From Richard Wright to Toni Morrison, many black writers have used allusions in the Bible to metaphor the status and identity of African Americans, reflecting the relationship between mainstream culture and marginal culture from different perspectives. The article uses the theory of intertextuality to explain the cultural intertextuality of the Song of Solomon and the Bible in order to highlight Morrison’s intertextual tactics - subversion in parody, reconstruction in subversion, and the display of black tradition Cultural unique artistic charm.