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波德莱尔的《恶之花》呈现出惊世骇俗的病态之美,密布“腐尸”、“撒旦”、“骷髅舞”、“犹太丑女”等丑恶而淫猥的意象,而另一极端,这位“恶魔诗人”却又倾心于宇宙的宏妙旷渺,超越了残酷的人间景象,写下了诗歌史上独具一格的《契合》(Correspondances)~①。作为“象征派的宪章”~②,《契合》是绝少一见的既是诗歌又是诗论的旷代逸品,以其具象而丰富的诗学理念开启了一个崭新的美学时代。为将异域的诗学汁液注入中国文学的肌体,梁宗岱撰有长文《象征主义》,以《契合》为理论标本,深度探
Baudelaire’s “Flower of Evil” is characterized by astonishingly ill and obscene beauty such as “rotten corpse”, “Satan”, “skeleton dance”, “Jewish ugly girl” Image, and at the other extreme, the “devil poet” devoted himself to the grandness of the universe beyond the harsh human landscape and wrote the unique “Correspondances” in the history of poetry. ①. As a “symbolist charter” ~ “②”, “fit” is rarely seen in both poetry and poetry is a labyrinthine, with its specific and rich poetics concept has opened a new era of aesthetics. In order to inject exotic poetic juice into the body of Chinese literature, Liang Zongdai wrote the long article “Symbolism” with “fit” as its theoretical specimen and depth