论文部分内容阅读
黑土大地孕育画之美,龙江长河滋养理之魂,黑龙江省美术理论研究一直伴随着龙江艺术共同发展,取得了丰硕的成果。挖掘推广地方美术的研究传统早在1958年黑龙江省美术家协会成立之时,介绍和推广地域特色的美术创作即成为我省美术理论研究工作重点之一。北大荒版画、冰雪山水、方正剪纸及农民画、少数民族民间美术等都是最具黑土特色的艺术形式。晁楣发表的《几种特殊效果的拓印方法》《画境中的审美轨迹》,于美成主编的
The beauty of the black earth has nurtured the beauty of painting and the spirit of nourishing the Longjiang River. The theoretical research of fine arts in Heilongjiang Province has achieved fruitful results along with the common development of art in Longjiang. As early as the founding of the Artists Association of Heilongjiang Province in 1958, the introduction and promotion of the artistic creation of regional characteristics became one of the focuses of the study of the art theory in our province. Northern Great Wilderness prints, snow landscapes, Founder paper-cut and peasant paintings, folk art of ethnic minorities are all the most black soil art form. Chao Mei published “several special effects of rubbing method” “painting in the aesthetic track” edited by Mei-cheng