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近几年一直在思考一些有趣的关于“画”的问题,就是画之所以成为“画”的条件:可看性?无用的物品?平面性空间特质?图与底?等等,画是不是经由绘画行为而成的物品?而对物品的物质实在性作无用性转换,物品是否可以经由绘画行为成为“画”?是否在画→绘画→物品的同时也可以物品→绘画→画?从日工系列开始,我就试图在实践中探索这种可能性。在实践的过程中,我意识到“画—物品”或“物品—画”是一对
In recent years, he has been thinking of some interesting questions about “painting”, that is, the painting has become the condition of “painting”: looking at sexuality, useless objects, flat space characteristics, figure and bottom, etc. Whether the painting is made through painting or not, and the material substance of the object is made uselessly converted, whether the painting can become the painting by drawing or the painting by the painting or the painting by the painting Painting → Painting From the beginning of the series, I tried to explore this possibility in practice. In practice, I realized that “Paint - Item ” or “Item - Painting ” is a pair