中国当下的“美术馆热”近日在南京也“火了一把”。在一个月之内,南京三川当代美术馆、一山美术馆相继开馆,并举行了盛大的开馆展览。它们的共同点都是定位在当代艺术的范畴内的民营美术馆。这样密集的以民营美术馆为推手的当代艺术展在南京似乎还是首次,许多人感叹“民营美术馆时代”的来临,这也为探讨民间资本与美术馆之间的关系提供了可能。 China’s current “hot art museum” also recently in Nanjing, “a fire”. Within a month, Nanjing Sanchuan Contemporary Art Museum and Yishan Art Museum opened one after another and held a grand opening exhibition. What they all have in common are private art galleries that are positioned in the context of contemporary art. It seems that such a dense exhibition of contemporary art promoted by private art galleries in Nanjing is still the first time that many people lament the arrival of the era of private art galleries. This also offers the possibility of exploring the relationship between private capital and art galleries.