空政话剧团演出的《凯旋在子夜》正戏开始前,大幕敞开着,一群身着军装的演员在台上做着压腿、下腰等准备活动。继而,男女演员们在台上做各种队列组合。开始,我没有太在意,也看不出创作者们在戏前加这么一段“戏外”的东西用意何在。随着入场观众逐渐安静下来,随着观众兴趣的被吸引,我略有所悟,明白了这原是导演总体构思的一部分,是经过精心安排和设计的,其作用和妙处在于:其一,领神,使观众于不知不觉中入戏,显得亲切自然,不着痕迹,避免沉重感。其二,暗示给观众:今晚的演出将是一出涉及军人命运、与战争有关的戏。 Before the start of the drama “Triumph at Midnight”, the actors and actresses dressed in military uniforms were doing leg-press and lower-back preparation activities. Then, the actors and actresses make various cohorts on the stage. From the beginning, I did not care too much and I did not see any intention of creators adding such a “playtime” before the play. As the audience gradually quiet down, with the audience’s interest is attracted, I feel a little awake, understand that this is part of the overall director of the original idea is carefully arranged and designed, its role and the beauty lies in: its First, lead the god, so that the audience unconsciously into the play, it is natural and without trace, to avoid heavy feeling. Second, impress the audience: tonight’s show will be a show involving the fate of soldiers and war.