中央人民政府文化部發佈了關於加強對民間職業劇團的領導和管理的指示。這個指示指出了民間職業劇團的努力方向,强調了各級政府文化主管部门對民間職業劇團的領導責任,這對於發展我國戲劇事業,使之更好地服務國家過渡時期的總任務,是有積極意義的。目前,民間職業劇團的隊伍非常龐大,每天聯系着數以百萬计的廣大羣衆,影響着人民的精神生活。幾年來,由於戲曲改革政策的推行,廣大藝人的社會地位和政治覺悟的提高,各地民間職業劇團的面貌發生了很大的變化;不但上演劇目和舞台形象有了革新,劇團內部關係也有了改變。藝人們已經擺脫了受業主僱傭的剝削關係,大多數劇團已由藝人自己合作經營。藝人已成為自己劇團的主人,而不再是被僱傭者、被剝削者,因而他們在改進戲曲藝術和改善劇團經營上表现了前所未有的積極性和熱情;他們想上進,他們希望自己的藝術勞動能够適合和滿足新社會的需要。但在他們面前,困難是很多的。他們要求排演爲時代所需要的新的劇目,但缺乏適合的劇本。他們要求改革和提高自己的表演藝術,但缺少指導,只好自己摸索。他們對於以 The Ministry of Culture of the Central People’s Government promulgated instructions on strengthening the leadership and management of private professional troupes. This directive points out the direction of efforts of private professional troupes and emphasizes the leadership responsibility of the cultural departments at all levels for private professional troupes. This is the task of developing the cause of Chinese drama and better serving the country’s transitional period Positive meaning. At present, the non-governmental professional theater troupes have a huge contingent of people who contact millions of the masses every day and affect the spiritual life of the people. In the past few years, due to the implementation of the policy of drama reform and the enhancement of the social status and political consciousness of the vast number of artists, the appearance of non-governmental professional troupes in various places has undergone great changes. Not only the repertoire and the stage image have been renovated, but also the internal relations of the troupe change. The artisans have escaped exploitative employment by employers and most of the troupes have been run by artists themselves. Artists have become the masters of their own troupes, instead of being hired and exploited, so they have shown unprecedented enthusiasm and enthusiasm in improving opera art and improving the management of their troupes. They want to make progress and they want their artistic work Can fit and meet the needs of a new society. But in front of them, the difficulties are many. They demanded rehearsal of the new repertoire needed for the era, but lacking a suitable script. They demanded reform and improvement of their performing arts, but lacked guidance and had to explore for themselves. They are right