不同的导演有着不同的表演观,不同的银幕表演的美学追求,形成不同的影片各异的表演风格和表演魅力,同时也体现了他们各有特色的导演与演员的使用关系和对表演的指导原则。研究、学习、借鉴世界电影大师的表演观,对于提高我国导演的处理表演的水平及银幕表演水平将大有裨益。艺术形象从文学转化为银幕,决不是单靠演员的表演所能完成的。影片的艺术创作是以导演为中心。银幕上的表演是导演总体构思综合处理的结果,是在导演直接指导下,按分镜头的蒙太奇处理进行创作的,可以说,不论是宏观,指整个影片表演的美学追求和表演风格,或是微观,指表演的细节处理,甚至于每个镜头的表演 Different directors have different viewpoints on performance. Different aisles pursue different types of screen performances. Different performance styles and performing charms of different films are formed. At the same time, they also show their unique use of directors and performers and guidance on performances. in principle. Studying, studying and using the world’s masters’ performance concept for reference will be of great help in enhancing the performance of our director’s performance and screen performance. The transformation of the artistic image from literature to the screen can never be accomplished solely by performers’ performances. The film’s artistic creation is directed by the director. Performance on the screen is the result of the director’s overall concept of integrated treatment, is directed by the director, according to the montage of sub-shots to deal with the creation, it can be said, whether it is macro, refers to the entire film aesthetics of the pursuit of performance and style, or micro , Refers to the performance details of the deal, and even for each shot show