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在1999年王克芬、隆荫培主编的《中国近现代当代舞蹈发展史》对当代中国舞蹈是从1949年至1996年为止。而对西藏当代音乐和当代舞蹈的提出笔者主要参考了米玛洛桑《西藏当代音乐史记》中关于西藏当代音乐概念的阐述:“西藏当代音乐,也称西藏新音乐,是指西藏和平解放以后的西藏音乐。就起时间而言,应从1950年算起。”在阿旺克村《西藏舞蹈通史》(第三章西藏当代舞蹈的兴旺、交流及走向世界)中,对西藏当代舞蹈事业的源起,也是从1950年算起。作者认为西藏当代舞蹈应当从1951年西藏和平解放开始算起,比较合理。
In 1999, Wang Kefen and Long Yinpei edited “The History of Modern Chinese Contemporary Dance” to contemporary Chinese dance from 1949 to 1996. However, I propose the contemporary music and contemporary dance in Tibet mainly referring to the elaboration of the concept of contemporary music in Tibet by Mi Malusan in “Historical Music in Tibet”: “Contemporary music in Tibet, also called the new music in Tibet, refers to the peaceful liberation of Tibet In terms of time, it should start from 1950. ”In the history of Tibetan dance in A Wancun (Chapter 3: The Thriving, Exchanges and World-widening of Contemporary Tibetan Dance), the theme of contemporary dance in Tibet The origin, also counting from 1950. The author believes that the contemporary dance in Tibet should start from the peaceful liberation of Tibet in 1951, which is more reasonable.