姜寨二期遗存是仰韶文化史家类型的一个典型代表,它晚于仰韶文化早期的半坡类型而早于仰韶文化中期的庙底沟类型。半坡类型文化的彩陶纹饰以鱼为主,庙底沟类型以鸟居多,姜寨二期则出现了耐人寻味的鱼鸟组合纹和鱼、鸟、人面组合纹。本文将就这一现象,从彩陶纹饰方面对姜寨二期的图腾及其发展演变进行探讨。不当之处,敬请方家指正。在姜寨二期遗存的上层,出土了一件独特的葫芦形陶瓶。从发掘报告看,葫芦形陶瓶是姜寨二期上层的典型器物之一,且数量颇多。然而,像这件瓶身绘有鱼、鸟和人面三种纹样组合而成复杂图像的陶瓶,在同期乃至同类型文化中,都是独一无二的。笔者以为, The second remains of Jiangzhai is a typical representative of the Yangshao cultural historian. It was later than the Banpo type in the early Yangshao culture and earlier than the mid-Yangshao culture. Banpo type of culture pottery decorated with fish-based, Miaozigou types mostly birds, Jiangzhai two appeared appealing fish-bird combination of lines and fish, birds, surface mix patterns. This article will discuss this phenomenon from the aspects of pottery ornamentation and the development and evolution of Jiangzhai II. Inappropriate, please correct me. In the upper remains of Jiangzhai II remains, a unique gourd-shaped pottery bottle was unearthed. From the excavation report, gourd-shaped bottle of ginger is one of the top two typical objects, and a large number. However, the bottle, which is a complex image of a bottle, painted in the shape of a fish, bird and human face, is unique in the same period and even in the same type of culture. I think,