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普列汉诺夫的文学理论为“左联”的成立创造了思想条件,也在一定程度上构成“30年代文学”时期(1928—1937)茅盾思想“变化”的潜在背景。寻找普列汉诺夫和茅盾在思想上的联系,有助于揭示这个期间茅盾一以贯之的“合于现实”的创作观,也可以促成一种反思,以发现茅盾思想“变化”的另一层涵义:茅盾的理论批评家身份的确立,以及根植于这一身份的社会使命感的显现。
Plekhanov’s literary theory created the ideological conditions for the establishment of “Leftist ” and to a certain extent the potential of “Mao ’s thought ” Change “in the period of” Literature of the 30s “(1928-1937) background. Looking for the connection between Plekhanov and Mao Dun in their ideology helps to reveal Mao’s consistent ”realistic“ conception of creation during this period and can also lead to a reflection on Mao Dun’s idea of ”change" Another layer of meaning: the establishment of Mao Dun’s theoretical critics identity, and the sense of social mission rooted in this identity.