和北野的相识,源于一部电影,是王家卫的《重庆森林》。那是学校附近一个黑暗破败的小影厅,隐蔽在一条曲折泥泞的小巷的角落里。它的招牌摇摇欲坠,上面黄色的字迹早已被风雨模糊掉了,只剩下一个“大”字和半个“影”字。门口粘着黄底黑字的海报,上面写着:今日电影《重庆森林》。狭小的影厅里,半面墙挂着屏幕,有稀稀拉拉的人群坐着,多半是成双成对的情侣。电影已经开始了,我随便找了一个靠前居中的座位坐下。当快餐厅里的王菲沉浸在喧嚣却暗地透露忧伤的音乐里不能自拔时,我就知道这将是一个寂寞的开始。她对梁朝伟的爱发生在不自知之中。她梦游般地一次一次走进梁朝伟的房间,拿着飞机模型旋转再倾倒在床上,把金鱼一 The acquaintance with Kitano came from a movie. It was Wong Kar-wai’s “Chongqing Forest.” It was a dark, dilapidated hall near the school, hidden in the corner of a muddy alley. Its signboards are teetering. The yellow lettering above has long been obscured by the storm, leaving only one “big” and half “shadow.” At the entrance, a poster with yellow and black letters on the door says: Today’s movie “Chongqing Forest.” In the narrow auditorium, half of the walls hung with screens, and there were sparse crowds sitting, most of them in pairs. The movie has already begun. I casually find a seat in the front center. When Faye Wong in the fast food restaurant was immersed in the music but secretly revealed sorrowful music, I knew it would be a lonely beginning. Her love for Tony Leung did not know herself. She walked into Liang Zhiwei’s room again and again in a sleepwalking manner. He took an airplane model and rotated it and dumped it on the bed.