文学和绘画是纪伯伦艺术生命的双翼,是其艺术天才的完美体现。纪伯伦想通过具体现实的形式,来展示他的内心世界,表现他的哲学观念和幻想与追求,他渴望着永生不朽的世界。因此,他得以在知识爆炸、科学腾飞的人类文明中占有显著的位置。他又力图使自己易为别人感知与理解,便通过画作向我们袒示他心中勃发的力量,他的力量来自意识与反应,来自超凡脱俗,来自不羁于时空的宇宙的永恒。时间,无非是衡量意识的尺度,空间,也只是进步或落后耕耘的场所。倘若我们在观赏纪伯伦的画作时,能深入发现他刻画的宇宙万物——或生机勃勃、或羞涩地袒露、或固板凝结——倘若我们试图跟踪纪伯伦博大的思想和 Literature and painting are the wings of the art life of Gibran, and are the perfect manifestation of his artistic genius. Gibran wanted to show his inner world through concrete realistic forms, showing his philosophical conceptions and illusions and pursuits, and he longs for an immortal world of immortality. Therefore, he is able to occupy a prominent place in the explosion of knowledge and the human civilization that takes off so much. He also endeavored to make himself easily perceived and understood by others, and then showed us the power of his heart to emerge through paintings. His strength came from consciousness and reaction, from the extraordinary and from the eternal universe uninhibited in time and space. Time is nothing more than a measure of the scale of consciousness, space, it is only a place for improvement or backwardness. If we look at Gibran’s paintings, we can find out more about the universe he portrayed-either lively, shyly, or solidly-if we try to follow Gibbon’s broad thinking and