论文部分内容阅读
本文主要介绍申克和声理论中的一些基本观点，原文第一部分阐释申克是如何从主三和弦中衍生出完整的半音体系；原文的第二部分揭示出，尽管半音体系是基于自然音，但半音三和弦并不是取代或装饰自然音和弦，而是直接产生于主三和弦，由于篇幅所限，这里只介绍申克本人是如何在《自由作曲》中运用这些理论的。
In the first part of this paper, we explain how Schenk derives a complete semitone system from the main triad. The second part of the text reveals that although the semitone system is based on natural tones, However, the semitone triad does not replace or decorate the natural chords of the chords, but arises directly from the Lord’s Third Chord. Due to space limitations, here only how does Shenk himself apply these theories in “Free Composition”.