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在中西美学观念的发展中,虽然也有着相当多的流派和争论,但最具代表性的却是中国的实践美学和西方马克思主义的否定美学,由于这两者是在不同的哲学背景和民族文化影响下发展起来的,尽管它们都标称继承和发展了马克思主义的美学理论,然而在实际的美学探索中还是形成了各自具有鲜明特色的美学理论。本文试图通过对中西马克思主义美学观念实质的比较性分析,探讨马克思主义美学观念的理论价值和现实意义。
Although there are quite a lot of genres and debates in the development of Chinese and Western aesthetic ideas, the most representative ones are the practical aesthetics in China and the negative aesthetics in Western Marxism. Since these two are based on different philosophical backgrounds and ethnic groups, Although developed under the influence of culture, although all of them nominally inherit and develop the Marxist aesthetic theory, they still form their own distinctive aesthetic theories in their practical aesthetic exploration. This paper attempts to explore the theoretical value and practical significance of Marxist aesthetics through the comparative analysis of the essence of Chinese and Western Marxist aesthetics.