论文部分内容阅读
阿满在富庶的吕家乡取得反迷信活动胜利后,将爱的信物馈赠给志同道合、俊俏年轻的寡妇美娇以表示爱慕之心,不料,美娇竟违心嫁给了港商。在迎亲的气氛中,阿满不得不掩饰内心的惆怅,踯躅在寂寥的小径上……这是喜剧片《温》中的最后一个镜头。不少观众认为,文化馆的阿满和寡妇美娇这对有情人应该终成伉俪。这样,影片反封建思想意识的主题愈加鲜明、强烈;否则,主题的份量就会减弱。笔者不敢苟同。诚然,如按通常的手法,阿满和美娇的结合是合理的。因为,阿满和美娇在反迷信活动的过程中,建立了真挚的情爱。譬如,阿满被人误打致伤时,美娇携带鸡汤探望他,美娇还协助阿满当场揭开她母亲利用迷信骗人的把戏……按传统文化审美观念,他俩必
When Ah Man won the victory of anti-superstition in the affluent village of Lu, she presented the token of love to like-minded and beautiful young widows who expressed their admiration for beauty. Unexpectedly, Mei Jiao actually married to the Hong Kong businessman. In the welcoming atmosphere, Ah Man had to hide his inner melancholy, wandering on the lonely trail ... This is the final scene of the comedy “Wen”. Many viewers believe that the cultural center of Manchukuo and widowed beauty of the lovers should eventually married. In this way, the theme of film anti-feudal ideology is more and more vivid; otherwise, the weight of the topic will be weakened. I do not agree. It is true that, as usual, the combination of Amman and Mei Jiao is reasonable. Because, Ah Man and Mei Jiao in the process of anti-superstition activities, the establishment of a sincere love. For example, when A Man was mistreated and injured, Mei Jiao carried his chicken soup to visit him. Mei Jiao assisted Aman to open the scene of her mother’s use of superstition to deceive people. According to the traditional cultural aesthetic concept, both of them