画像砖、画像石艺术的源起

来源 :中国美术研究 | 被引量 : 0次 | 上传用户:frog1266
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一、画像辨义画像砖、画像石,是指汉代建筑壁面上、棺椁表面上镌刻及窑烧的画面。这些画面主要包括线刻和浮雕。汉代建筑遗存至今,地面除石阙、石兽、祠堂及一些城垣、宫室的残留部分外,基本是各地出土的墓葬。因此,画像砖、画像石的材料来源,主要以各地出土的墓葬为主。从这个意义上来看,我们今天所说的画像砖、画像石大都属于陵墓图饰艺术。“画像”一词,源于宋代兴起的金石学,如赵明诚《金石录》、洪适《隶释》、《隶续》等书中,屡用画像 First, the portrait Discrimination portrait brick, portrait stone, refers to the Han Dynasty building walls, the surface of the coffin engraved and kiln burning picture. These pictures mainly include line engraving and relief. Since the remains of the Han Dynasty architecture remains, the ground except the stone Que, stone beast, ancestral temple and some walls, the residual part of the palace, the basic is unearthed tombs. Therefore, the image brick, stone portrait of the source of the material, mainly in different parts of the tombs. In this sense, the bricks and portraits we refer to today mostly belong to the art of tombs. “Portrait ” The term, originated from the rise of the Song Dynasty perennial gold, such as Zhao Mingcheng “Jinshi Lu”, Hong Shi “interpretation”, “continued” and other books,
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