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今天的艺术尽管从发生和发展的状态与特质上,都不再强调女性的特殊性,或以女性主义为题来割裂艺术的完整性。但是,不能否认的是,中国的当代女性艺术还是显明了它的不同,特别是这个创作群体,她们以个体的差异来取代整一性的女性主义,以自我超越的方式超越了性别困扰.中国的新一代女性艺术具有怎样的特质?她们的所思所想是什么?今天需要对她们进行客观而又多方面的呈现,通过这样的视觉展示来发现她们在创造这个时代的“新感知”的内涵和意义.因为她们是今天这个时代的参与者和见证者,她们的所作所为就是她们的声音和姿态,我们无法用另外虚妄的理论说辞来否认现实中的女性艺术的独立价值,也无需割裂她们和当代的联系.她们就是她们,她们的艺术还是她们.
Although today’s art no longer emphasizes the particularity of women from the state and characteristics of its occurrence and development, or separates artistic integrity with the theme of feminism. However, it can not be denied that China’s contemporary feminist art still shows its difference, especially in this creative group, which transcends the stereotyped feminism by individual differences and transcends gender-disturbing self-transcendence. What kind of qualities does the new generation of female art have? What do they think and think about? They need to present objective and multi-faceted presentations to them. Through this visual display, they discover that they are creating “new perceptions” Because they are participants and witnesses of this age, what they do is their voice and attitude, and we can not deny the independent value of the female art in reality with another vain theory of rhetoric. There is no need to sever them from the contemporary, they are them, their art, or they.