初看,勒内·夏尔的《赤裸的遗失》,全篇都是被摧残者的形象：“枝繁叶茂”的树木遭到砍伐,其中部分被安置于盆景。再看,它们并未屈服：“它们知道持续地利用在光明之前又继光明之后的、多节的夜”,开出“断断续续的果实”,“宣传了它的存在价值”。即使被“嫁接刀口和标记”,也顽强地“把重 At first glance, Rene Sharre’s “Naked Lost”, all of which are images of the ravaged: “bushy” trees have been cut, some of which are placed in bonsai. Look again, they did not give in: “They know that continuous use of light before the light and after the multi-nocturnal night,” out of “intermittent fruit”, “to promote its existence value.” Even if it is “grafted knives and marks”, but also tenaciously "heavy