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学者讨论经学,自然离不开唐人注疏。今天我们研读经疏,大多采用清代阮元校刻的《十三经注疏》,俗称阮刻本。根据长泽规矩也的考察,阮刻本所据底本,多为所谓“正德十行本”。十行本系经、注、疏并附《释文》合刻本,原为南宋末年建阳书坊所创,因每半页十行而得名。“正德十行本”多为元代刊刻,经过明代正德年间修补而成。由于十行本出自坊刻,校勘疏略,误字较多,分卷与《旧唐书·经籍志》、《新唐书·艺文志》所认多有不同,经常为学者诟病。在正德十行本之前,又有八行本与单疏本两种版本系统,分卷与两《唐书》一致,文
Scholars discuss the Confucian classics, naturally can not do without the Chinese people note. Today, we study through the Shu, mostly using the Qing Dynasty Ruan Yuan school engraved “Thirteen Notes,” commonly known as Ruan engraved. According to the rules of Nagasawa investigation, Ruan carved by the end of this book, mostly for the so-called “Masanori ten lines”. Ten lines of the Department, note, sparse and attached “interpretation” together engraved, originally built for the end of the Southern Song Dynasty Jian Yang Shu Fang, named for every half page ten lines. “Masanori ten lines ” mostly engraved in the Yuan Dynasty, after the Ming Dynasty German mend from repair. Because of the ten lines from the carved, collated, slightly misunderstood, sub-volume and “Old Tang Shuji Ji”, “New Tang Shu Yi Wen Zhi” recognized many different, often criticized scholars. In the ten lines of Masanori, there are eight versions of the system and two versions of the system, sub-volumes and two “Tang” consistent, text