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诚然,《高山下的花环》的艺术效果确实达到了深刻的道德目的,起到了提高人的品格和激发人的意志的作用。但令人遗憾的是,谢晋没有处理好影片的中局,那起到承上启下作用的描写战争场面的中局可以说是影片能否成功的关健,因为它起着纽带的作用。我认为对于战争场面的描写,谢导演没有什么新的突破,影片中无论是临战前的侦察、坦克的过河还是火箭的发射都不免流于形式,就连靳开来的牺牲也不那么打动观众的心,因为影片缺少战争的气氛,虽然情节达到了高潮,但观众的情绪没有达到高潮。我想如果描写战争的场面再残酷一点的话,那么观众的情感一定会得到净化,从而达到更佳的艺术效果。
It is true that the artistic effect of the “garland under the mountain” has indeed reached a profound moral purpose and played the role of enhancing human character and inspiring people’s will. Regrettably, however, Xie Jin did not handle the middle stage of the film well. The mid-game portraying the war scenes that played a leading role can be said to be the key to the success of the film because it serves as a link. I think there is no new breakthrough in the description of the war scenes. There are no new breakthroughs in the director’s picture. The film’s reconnaissance before the war, the crossing of the river and the launching of the rocket can not help but become a mere formality. Even Jin Kailai’s sacrifice is not so touched The audience’s heart, because the movie lack of war atmosphere, although the plot reached its climax, but the audience’s emotions did not reach orgasm. I think if the scene describing the war is brutal, then the audience’s emotions will certainly be purified so as to achieve a better artistic result.