古代书论中反复提到的“意”给人模糊的印象,当代书法家提起书法创作也会把这一概念反复使用,“以意为之”在书法创作的经纬当中的定义值得仔细探究。《世说新语》中王徽之兴致上来雪夜匆匆访问戴安道,兴致尽了便撑船而回。看到这个故事会想到书法创作中有没有人乘意而书,意尽而坚决搁笔的。“以意为之”从书法创作角度来看,就是在创作过程中充分发挥个人情感, The concept of “meaning ” repeatedly mentioned in ancient calligraphy theory gives a vague impression. The contemporary calligrapher will also repeatedly use this concept to introduce the concept of “meaning” in the definition of calligraphy Worth exploring carefully. “Shi Shuo Xin Yu,” Wang Hui of the spirits up the snowy night to visit Diane Road, Hing made the punting and back. See this story will think of calligraphy in the composition, there is no intention to book, intended and determined to put pen. “Intention of ” From the perspective of calligraphy creation, it is in the creative process to give full play to personal feelings,