雷诺阿的魅力是与生俱来的,正是他对腐朽常规的惧怕才使他创作出了令人惊奇和心旷神怡的作品,作于1879年的《露台上》就是一个适例。 画面中,年轻妇女、孩子和针线篮一起组成一个锥形,这常被早期画家们用到。同样传统的还有栏杆,它从背景中衬托出人物并给原本复杂的不规则形状添加了一种建筑物的牢固感。这就是雷诺阿的天赋,既管他尊重确立已久的技法,但还是能突出自己的独创性。在这幅画中,我们可以看到传统和创新达到了完美的统一。 画中人物的关系很亲近,她们不仅姿态上随意,而且小女孩的位置很随意,作为化的一部分,她只能从画框的底边看过来。纱线篮和最左边种有绿色植物的桶也是这样。整体看上去,前景很拥挤,好像要溢出。这幅画描绘了塞纳河边一个树木成荫公园中的私人露台,它貌似单薄,但透过 The charm of Renoir was born, and it was his fear of decadent conventions that led him to create a surprising and refreshing piece of work that was a fitting example of the 1879 “terrace.” In the picture, young women, children and needlework basket form a cone, which is often used by early painters. Also traditional is the railing, which brings out characters from the background and adds a solid feel to the otherwise intricate, irregular shape. This is Renoir’s talent, despite his respect for the long-established technique, but still able to highlight their originality. In this picture, we can see the perfect unity of tradition and innovation. The characters are closely related in the painting. Not only are they free to pose, but the little girl’s position is very casual. As part of the process, she can only see from the bottom of the picture frame. The same is true of yarn baskets and the leftmost barrels with green plants. Overall, the outlook is crowded and seems to overflow. The picture depicts a private terrace in a tree-lined park on the Seine, which looks thin but through