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天津杨柳青年画是我国传统木版年画,有“四大木版年画之首”的美誉。杨柳青年画始于元末明初,至清雍正、乾隆达到鼎盛,与苏州桃花坞年画齐名,并称为“南桃北柳”。它从宋、元绘画技艺中汲取养分,并吸收明代木刻版画工艺美术、戏剧舞台的形式,采用木版套印和手工彩绘相结合的方法,创立了鲜明活泼、寓意吉祥、富有感人题材的独特风格。[1]杨柳青年画取材不拘一格,无论是文
Tianjin Yangliuqing New Year’s paintings are traditional woodblock New Year pictures in China, and have the reputation of “the first of the four woodblock New Year pictures”. Willow youth paintings began in the late Yuan and early Ming dynasties, to the Qing Yongzheng, Qianlong reached its peak, and Suzhou Taohuawu New Year par famous, and known as “Nantou North Willow.” It absorbs nutrients from the art of Song and Yuan Dynasties and absorbs the woodcut prints of the Ming Dynasty in the form of arts and crafts and theatrical stage. It adopts the combination of woodblock overprint and hand-painted to create a distinctive style that is vivid, symbolic of auspiciousness and full of touching material. [1] Yangliu young paintings drawn eclectic, whether it is text