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一引言成熟于湖南宝庆(今湖南邵阳市)地区的“宝庆竹刻”,于明代原(圆)竹雕刻的坚实基础上,进而在清代以创造和发明了竹簧及竹簧雕刻为标志,确立了中国竹刻史上的重要地位(详见拙著《宝庆竹刻》,岳麓书社二○○○年十一月出版)。宝庆竹刻,在我国明清竹刻艺术家族中,之所以能成为名门望族,除缘于其在地域风格、雕刻工艺、表现手法、艺术特色等方面,有别于“嘉定”“金陵”等竹刻流派的艺术魅力外,还在于其表现题材和思想内容上,将民族文化表现得更为传统和精深。竹刻大师们师法宋元以来的中国画各派名家,将画
I. INTRODUCTION The “Baoqing Bamboo Engraving” mature in the area of Baoqing, Hunan (now Shaoyang City, Hunan Province), was founded on the solid foundations of the original (round) bamboo carving in the Ming Dynasty and then in the Qing Dynasty to create and invent the bamboo spring and bamboo engraving as Logo, established an important position in the history of bamboo in China (see my clumsy “Bao Qing bamboo engraving,” Yuelu Publishing House published in November 2000). Bao Qing bamboo carving, in our Ming and Qing Dynasties bamboo art family, has become a famous family, in addition to due to its geographical style, sculpture, performance techniques, artistic features, different from the “Jiading” “Jinling” and other bamboo Genre’s artistic charm, but also lies in the performance of the theme and content of thinking, the performance of national culture is more traditional and sophisticated. Master of the art of bamboo masters since the Song and Yuan Dynasties famous Chinese painting schools, will draw