论文部分内容阅读
(一)电影的本性是什么?以往的研究大都站在电影本体的位置上,从电影的技术性质或创作、生产的特殊性出发,规定电影的本性是照相的延伸,是现实的复原;是情感的表露,是生活的再现;是认识工具,是教育手段,等等.几乎没有一个论述是在观众立场上做出的.定位与定性离不开坐标系和参照系.正是在这个意义上,自画像远不及出自旁人之手的肖像真实、准确.观众是电影的一面镜子,抛弃这面镜子所做的自我刻画难免有失偏颇.甚至可以说,对观众的忽视与这种单方面对于电影本性的规定不无关系,
(1) What is the nature of the film? Most of the previous studies stand on the position of the film ontology. Starting from the technical nature of the film or the particularity of creation and production, it is stipulated that the nature of the film is an extension of photography and a realistic restoration. The expression of emotion is the reproduction of life, the means of cognition, the means of education, etc. Few expositions are made on the audience's position, and the positioning and the characterization can not be separated from the coordinate system and frame of reference. It is in this sense , The self-portrait is far behind the portraits of others true and accurate.The audience is a mirror of the movie, abandon the self-portrait mirror is inevitably biased.Even can say that the audience's neglect and unilateralism The nature of the film is not unrelated,