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我们该如何看待2012的这场艺术表演大潮?如何在走马灯看热闹的环境之下去洞察真相?又如何预测不可知的未来文化?有人说,“青年艺术100”侧重客观而恰当地宣传和包装年轻艺术家的外部价值,而“未来展”则是中央美术学院在20年后又重新塑造了其掌握艺术史话语权的形象,而“两岸四地交流计划”则是关注少数人关心的边缘“侨艺”。那么在这样面面俱到,几乎概括了整个中国年轻艺术生态的三个大展之外,我们还能从什么角度去看“青年的”“年轻的”艺术?下面是侧重“亚洲”概念的另两个喧嚣的大展。
How do we view this tide of artistic performance in 2012? How do we perceive the truth in the light of the lantern? How can we predict the unknown future culture? Some people say that “Youth Art 100” focuses on objective and appropriate publicity and Packaging the external value of young artists, while “Future Exhibition” shows that the Central Academy of Fine Arts has reshaped its image of grasping the right of art history 20 years later, while the “Exchange Program for Cross-Strait Relations” People care about the edge “Overseas Chinese Arts ”. So in this way, we can sum up the three major exhibitions of young Chinese art ecology. From what angle can we look at the art of “youth” and “young”? The following are the focuses on "Asia Concept of the other two noisy exhibition.