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提起“体制外”文化人,很自然令人想到汇聚于北京宋庄那些漂泊的艺术家和遍布京城林林总总的文化工场、工作室;眼前会浮现起那一个个自由自在、打扮另类、桀骜不驯的民间艺术家形象。他们或者因为种种原因被排斥在体制的大门外,或者不满于体制的沉闷束缚勇敢地脱离。他们将自己的才华在一间间简陋的工作室、怪异的工场里发挥得淋漓尽致,将一些体制内文化单位捕捉不到或不敢涉足的文化地带,搅动得风生水起。
Mentioning “outside the system” of cultural people, it is natural to think of those floating in Beijing Song Zhuang those wandering artists and throughout the capital of the numerous cultural workshops, studios; the moment will emerge from that a free, dress up alternative, Tame folk artist image. They were either excluded from the gate of the system for various reasons or bravely separated from the dull bondage of the system. They bring their talents to life in a shabby studio and a weird workshop, stirring up cultural areas that some cultural units in the system can not catch or are afraid to get into.