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本文通过对中世纪晚期音乐史上里程碑式的作品——14世纪法国音乐家马肖的《圣母弥撒》的词曲结构与节奏对称性的分析,运用艺术史学的方法和审美感知的视角,联系作品所产生的宏观文化语境以及同时期视觉艺术的形态特征,对作品在艺术史视野下的美学意义加以解读。
This article analyzes the structure of lyrics and the rhythm symmetry of the Madonna of the Masses in 14th century French musician Ma Xiao by using the landmark work in the late medieval music history. By using the method of artistic history and the aesthetic perception, The macro-cultural context and the morphological characteristics of visual art in the same period, and interprets the aesthetic significance of the work under the visual field of art history.