历代不乏书家借助禅宗的理念来阐述书法的无心之境,这一方面是因为禅宗对于无心之境有独到而善巧的阐发,另外也是因为禅宗本身吸收了传统中国文化中关于无心境界的诸多论述。因此本文希望通过禅宗视角的审视,能深入地探讨古典书法艺术的内在精神,并藉此纠正仅从外在形式的角度来理解古典书法的偏向。 There are no shortage of bookmakers who have used the concept of Zen to describe the unintentional situation of calligraphy. This is partly due to Zen’s unique and skillful elucidation of unintentional circumstances, and also because Zen itself has absorbed many of the traditional Chinese culture of uninterestedness Discussion. Therefore, this article hopes to explore the inherent spirit of classical calligraphy art through the examination of Zen perspective and to correct the bias of classical calligraphy from the perspective of external form.