元代蒙古族的汉文创作当中有为数不少的散曲作品,较比诗词而言,这种更为通俗的文学样式恰恰易于得到初入中原、习染汉文化的蒙古族文人的认同,加之散曲的产生也与蒙古等北方游牧民族的乐曲有着密切的关系,逐渐涌现出一些颇具影响力的蒙古族散曲作家。他们的作品既内蕴着散曲自身的明快豁达、自然酣畅,同时又彰显出北方民族特有的雄劲豪迈、气势磅礴的艺术风格。 Among the Mongolian literary works in Yuan Dynasty, there are a large number of works of Sanqu, which are more popular than Mongolian poetry. The more popular literary styles are apt to get the approval of Mongolian literati who entered the Central Plains and learned Han culture. Generations are also closely related to the nomadic tribes of Mongolia and other northern nomadic songs, and some influential Mongolian Sanqu writers emerge. Both of them contain the bright and open spirits of nature itself, the natural hearty, at the same time highlighting the magnificent and magnificent artistic style unique to the northern peoples.