“后先锋文学”指的是1990年代中后期崛起的一批作家,诸如夏商、葛红兵、李洱、李冯、韩东、朱文、海力洪、东西、鬼子等等。他们一方面并轨于包括“先锋文学”在内的转型之辙,一方面又重辟讲述“中国故事”的多种可能。如果说“先锋文学”剥裸了语言包孕万千的感官世界,那么“后先锋文学”则将语言与自我认知、历史记忆、成长经验、生活世界等层面拓耘至更广袤更深邃更丰美的故事层面,从而显得自尊自信、自洽自足。 “Pioneer literature” refers to a group of writers who emerged in the mid and late 1990s, such as Xia Shang, Ge Hongbing, Li Er, Li Feng, Han Dong, Zhu Wen, Haili Hong, things, devils and so on. On the one hand, they align themselves with the transformational transition that includes “avant-garde literature,” and on the other hand, they give more than one possibility of telling the story of “China.” If “avant-garde literature” strikes nudity of the language that contains thousands of sensory worlds, then “avant-garde literature” expands the linguistic and self-perception, historical memory, growth experience, and life world to a broader extent Deeper and more beautiful story level, which appears self-esteem self-confidence.