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“图像化”对中国画产生的最直接的影响就是中国画中的“笔墨”语言被弱化,乃至消解。笔墨是国画的造型、写意、表情达趣的方式和手段,是画家的情感、修养和文化认知的载体,由此形成了以画传神达意的“水墨精神”笔墨有着其极其丰富和精彩的美学内涵。图像化对中国画笔墨的消解,不是简单的艺术现象,而是经济全球化进程中西方文化语境对中华名族民族文化的同化与反同化问题,是东西方两种文化的较量。
The most direct effect that “imageization” has on Chinese painting is that the “ink” language in Chinese painting is weakened and even digested. Ink and brush is the style and means of Chinese painting, the way of expression and expression of interest. It is the carrier of emotion, accomplishment and cultural cognition of painter. As a result, “ink spirit” Wonderful aesthetic connotation. The digestion of brush and ink by Chinese characters is not a simple artistic phenomenon, but the assimilation and anti-assimilation of ethnic Chinese culture by Western cultural context in the process of economic globalization. It is a contest between East and West cultures.