“满足观众的审美要求”,一直是钟惦棐先生电影观念的一个起点。他在1956年那篇著名的文章《电影的锣鼓》中,就是从观众开始检讨中国当时的电影政策和电影管理的。在“政治第一”,甚至“政治唯一”的大背景下,他却从一些影片的上 “Satisfying the Audience’s Aesthetic Requirements” has been a starting point for Mr Chong’s film concept. In his famous 1956 article, “The Gongs and Drums of the Film,” he started with a review of China’s cinema policies and film management of the time. In the “political first”, or even “political unique” background, he was from some of the films