王时敏是“四王”画派的奠基人。他身处明清交替的两代,看到了画坛的弊端和矛盾,他虽曾受董其昌的具体指点,却又坚持着自己的创作风格。所以,清理王时敏的画学观念是理解“四王”仿古的最重要一环。他的仿古创作论,不但直接开启了有清一代山水的新风,也影响了后三王山水创作的发展和创造。王时敏说过这么一段话:“书画之道,以时代为盛衰。故钟王妙迹,历世罕逮。董巨逸轨,后学競宗。固山川毓秀,亦一时风气使然也。唐宋以后,画家正詠、自元 Wang Shimin is the founder of the ”Four Kings“ School of Painting. He was living in the two generations of the Ming and Qing Dynasties. He saw the shortcomings and contradictions of the painting scene. Although he had been directed by Dong Qichang, he insisted on his own style of creation. Therefore, to clean up Wang Xiaomin’s painting concept is the most important part of understanding the ”Four Kings“ antiquity. His theory of antique creation not only directly opened up the fresh wind of the Qing Dynasty landscape, but also affected the development and creation of the creation of landscapes of the Three Kings. Wang Shimin said something like this: ”Road of painting and calligraphy, with the era as the ups and downs. So the clock WangMao trace, history arrest .Dong Guru Yi track, after school Jingzong. The artist is chanting, since Yuan