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《商鞅》是上海话剧艺术中心创作排演的大型历史话剧,该剧运用现实主义戏剧平铺和倒叙的表现方式,塑造出战国时期改革家商鞅辉煌而悲剧性的一生,再现了一位在因循守旧文化传统盛行的国度为了改革、为了理想,不惜牺牲生命的孤独英雄形象。导演陈薪伊在创作的过程中,紧紧抓住主题和人物形象,选取有利于话剧舞台呈现的艺术手段,打破传统舞台的表现形式,将人物和主题成功地呈现在舞台上,充分展现其大气磅礴、阳刚之美的导演风格。文章从人物塑造、舞台空间转换等个方面,对此剧进行了分析。
Shang Yang is a large-scale historical drama drafted and rehearsed by the Shanghai Theater Arts Center. It uses the expression of realistic drama tiling and flashback to create a glorious and tragic life for the reformer Shang Yang during the Warring States period, Traditionally popular country in order to reform, for the ideal, at the expense of life’s lonely heroic image. In the process of creation, director Chen Saiyi firmly grasped the theme and characters, selected the artistic means favorable to the stage performance of the drama, broke the traditional forms of the stage, presented the characters and subjects successfully on the stage, fully demonstrated its magnificent, Masculine director style. The article analyzes the drama from such aspects as the characterization and the transition of the stage space.