谭恩美在《接骨师之女》中利用“边界写作”策略,用“龙骨”等意象渲染东方文化气场,在记忆和现实交错中展现了三代女性人物之间的情感纠葛和血脉关联。作品在探讨母女冲突与融合、散居与寻根这些问题的同时,为多元文化背景下的华裔美国人勾勒出超越种族边界的第三空间。 Amy Tan used the strategy of “border writing ” in “The Girl of the Bonecracker” to render the oriental cultural aura with images such as “Keel”, showing the emotional entanglement and blood between the three generations of female characters in the memory and reality interlacing Associated. While exploring the issues of mother-daughter conflict and integration, diaspora and root-seeking, the work outlines a third space for ethnic Chinese Americans in a multicultural context that transcends ethnic boundaries.