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音乐与人类的生活和社会的发展是紧密相关的,真实地反应了客观世界,是社会文化发展的产物。正是这样在研究音乐时不能单纯地从技术(即演奏或演唱技术)或者形式(即曲式结构、和声体系、配器方法等)形式上来研究音乐理论,会具有很强的片面性。这篇文章以从审美的角度出发,主要研究中、外的钢琴作品,再结合音乐美学的理论实践和方法,对中、外的钢琴作品在创作思维上的区别和联系进行讨论。
Music and human life and social development are closely related, a true response to the objective world, is a product of social and cultural development. It is just such that the study of music theory can not be studied in a purely one-sided manner from the perspectives of technology (ie, performance or singing techniques) or forms (ie, musical structure, harmony system, and device matching methods). This article from the aesthetic point of view, the main study of foreign and domestic piano works, combined with the theory and practice of music aesthetics and methods, on the piano works in the creative thinking of the differences and contact.