电影中的人物塑造是否成功,关键在于人物的个性刻画得是否成功。在处理人物个性时,能否发现并挖掘那种与一般人不同的性格特征,力求平凡中见奇崛。《十六号病房》中,在塑造陈仲男和刘春桦这两个知青形象时,编导正是依据陈仲男的热情、风趣和刘春桦的真诚、和蔼的特征,为人物安排了几次“骗人”的情节,观众看了,情趣盎然,从而加深了对人物的印象。第一次,刘春桦接到陈仲男的信,来到乡村,在小学校院里,仲男让春桦试着拉响了院内的钟声。春桦好奇无意。仲男却是在施展“骗术’。因为钟声顿时招来了四方的孩子。这时,仲男才告诉春桦,这次请她来,是希望她当教 The key to the success of the characters in the film is whether the characterization of the characters is successful or not. In dealing with the personality of the individual, can we find and tap that kind of personality characteristics different from the average person, and strive to see extraordinary growth. In “Patient ward 16”, in shaping the images of two educated youth, Chen Chung-nan and Liu Chun-hua, the director arranged several “deceptive” episodes for the character based on Chen Zhong-nan’s enthusiasm, wit and Liu Chun-hua’s sincere and amiable features , The audience read, full of fun, thus deepening the impression on the characters. For the first time, Liu Chunhua received a letter from Chen Zhongnan and came to the village. In the elementary school, Zhong Nan let Chun Hua try and sounded the bell in the hospital. Spring birch curious no intention. Zhongnan is in the display of “trickery.” Because the bell suddenly provoked the Quartet’s children .At this time, Zhong Mancai told Chun Hua, this please her, I hope she should teach