我认识焦应奇有两年了,这期间他一直鼓捣着要搞美术教育。他有一个偌大的艺术家仓库,原来在东四八条,现在在十里铺。在北京的艺术圈子里挺活跃,从孟京辉的《恋爱的犀牛》、国际舞蹈大师洪信子的舞蹈作品,到世界著名策划人的聚会等等,搞了一些有意思的活动,但是他的最大的梦想是要搞民办美术教育。虽然这条道不那么容易,但他有点铁杵磨成针的执着,这件事就眼看着越来越清晰了,朋友们都很佩服老焦单枪匹马、游说列国的精神。一谈起当今的美术教育、稳重理性的者焦就变得尖锐起来,毕竟他在中央美院待过11年,11年中对美术教育的现状有了太多感慨。也许正是太多的感受促使了他办学的决心。 I have known Jiao Yingqi two years, during which he has been tinkering with art education. He has a huge artist warehouse, originally in the East four eight, now shop in Shili. He was active in Beijing’s art circle and engaged in some interesting activities from Meng Jinghui’s “Rhinos in Love”, international dance masters Hong Xin Zi’s dance works, world famous curators, etc. But his biggest dream It is necessary to engage in private art education. Although this passage was not so easy, he had a bit of iron pestle grinding into a sting of a needle. As a matter of fact, the matter became clearer and clearer. All his friends admired old coke alone and lobbied the spirit of the nations. Speaking of today’s fine arts education, those who are more rational and rational have become more acute. After all, he spent 11 years at the Central Academy of Fine Arts and over the past 11 years he had too much emotion in the status quo of art education. Perhaps it is too many feelings prompted his determination to run a school.