中国歌剧的发展起步较晚,经过相关专业人士的不断探索和尝试,中国歌剧取得了较大成就。其中,歌剧《大野芳菲》就是一部成功的代表作品,作曲家田丰突破传统戏剧的模式局限,以歌剧美学原则为指导,巧妙地将音乐因素与戏剧因素有机融合,创新出极具新意的音乐结构,使之与戏剧情节浑然一体,进而增添了这部作品的艺术表现力与感染力。在此,本文将着重探究歌剧《大野芳菲》中的音乐结构。 The development of Chinese opera started very late. After continuous exploration and trial by related professionals, the Chinese opera has made great achievements. Among them, the opera “Ona Fifi” is a successful representative works, the composer Tian Feng break through the limitations of the traditional drama mode, guided by the principles of opera aesthetics, cleverly combine the elements of music and drama organically, innovation of innovative music Structure, making it seamless with the drama plot, thereby adding to the artistic expression and appeal of this work. Here, this article will focus on exploring the musical structure in the opera “Ohno Fangnai.”